◎译 名 杰克的一切 / All That Jack's
◎片 名 Majstori, majstori!
◎年 代 1980
◎产 地 南斯拉夫
◎类 别 剧情 / 喜剧
◎语 言 Serbian
◎IMDb评星 ★★★★★★★★☆☆
◎IMDb评分 8.1/10 from 1,615 users
◎IMDb链接 https://www.imdb.com/title/tt0081104/
◎豆瓣评星 ★★★★☆
◎豆瓣评分 8.1/10 from 1,615 users
◎豆瓣链接 https://movie.douban.com/subject/3251528/
◎导 演 戈兰·马克维奇 / Goran Marković
◎演 员 拉德·马尔科维奇 / Rade Markovic
奥利维拉·马尔科维奇 / Olivera Markovic
Snezana Niksic Snezana Niksic
佐兰·拉德米洛维奇 / Zoran Radmilovic
Semka Sokolovic-Bertok Semka Sokolovic-Bertok
Ratko Tankosic Ratko Tankosic
Milivoje Tomic Milivoje Tomic
米尔亚娜·卡拉诺维奇 / Mirjana Karanović
普雷德拉格·拉科维奇 / Predrag Lakovic
Stojan Decermic Stojan Decermic
波格丹·迪格里克 / Bogdan Diklic
Branko Cvejic Branko Cvejic
Dobrila Cirkovic Dobrila Cirkovic
米拉·班雅奇 / Mira Banjac
塔尼娅·博斯科维奇 / Tanja Boskovic
亚力克斯桑德·贝奇科 / Aleksandar Bercek
米奥德拉格·安德里克 / Miodrag Andric
帕维尔·武吉西奇 / Pavle Vujisic
◎编 剧 戈兰·马克维奇 / Goran Marković
◎音 乐 Zoran Simjanovic Zoran Simjanovic
◎摄 影 Milan Spasic Milan Spasic
◎剪 辑 Vuksan Lukovac Vuksan Lukovac
◎化 妆 Marija Kordic Marija Kordic
◎简 介
Catching the spirit of a nation, the film serves as a sharp observation of contemporary society in the Balkans.10/10星
This film is the third feature written and directed by director Goran Markovic, who has proved to be one of the best Serbian directors in the latter part of the 20th century. Despite his youth (or perhaps because of it), the director has successfully made a film which transcends the boundaries of the plot, and goes to serve as a sharp observation and critique of the contemporary society in former Yugoslavia, thus becoming one of the best Yugoslav films.
While aptly re-creating a typically charged atmosphere in a large and highly successful Belgrade school by depicting various teachers and the school staff and showing us their relationships, their characteristics (and mostly their flaws), he manages to also catch the spirit of a nation, and to visualize through analogous dialogs (and other film accessories)a time of great conflicts and tumultuous relations on the Balkans peninsula, which have marked the second half of the century, only to lead from bad to worse.
The acting is, as in most major films made in Yugoslavia 1at that time, superb. Even though there is no leading role, each character (and actor) has its turn to shine and personify yet another type of existence, and thus to weave its thread into the rich tapestry of the film's vision.
I would like especially to emphasize the importance of the poem recited at the end of the film. It serves as a kind of summary of what we have seen (or what we should have seen), and a manifest of the director's ideas and credos.
