1982 像我们其他人一样活着 Živeti kao sav normalan svet / HDTV / 1080P / 3.05G
◎译 名 像我们其他人一样活着 / Living Like The Rest Of Us / Living Like the Rest of Us
◎片 名 Živeti kao sav normalan svet
◎年 代 1982
◎产 地 南斯拉夫
◎类 别 剧情
◎语 言 Serbian
◎上映日期 1982
◎IMDb评星 ★★★★★★★☆☆☆
◎IMDb评分 7.0/10 from 190 users
◎IMDb链接 https://www.imdb.com/title/tt0084951/
◎豆瓣链接 https://movie.douban.com/subject/3585499/
◎导 演 米洛什·拉迪沃耶维奇 / Milos 'Misa' Radivojevic
◎演 员 Pavle Bogatincevic Pavle Bogatincevic
Branimir Brstina Branimir Brstina
普雷德拉格·米林科维奇 / Predrag Milinkovic
奥利维拉·马尔科维奇 / Olivera Markovic
佐兰·茨维亚诺维奇 / Zoran Cvijanovic
Snezana Savic Snezana Savic
Alenka Rancic Alenka Rancic
约·兰切奇 / Jovan Rancic
Sonja Savic Sonja Savic
Milan Puzic Milan Puzic
Bogdan Tirnanic Bogdan Tirnanic
Marija Milutinovic Marija Milutinovic
Dusan Janicijevic Dusan Janicijevic
Olivera Jezina Olivera Jezina
斯拉夫科·斯提马科 / Slavko Stimac
Petar Banicevic Petar Banicevic
Branko Cvejic Branko Cvejic
Svetislav Goncic Svetislav Goncic
Sonja Knezevic Sonja Knezevic
Sima Janicijevic Sima Janicijevic
Ljiljana Sljapic Ljiljana Sljapic
◎制 片 人 Aleksandar Stojanovic Aleksandar Stojanovic
◎音 乐 科勒纳利耶·科瓦切 / Kornelije Kovac
◎摄 影 Bozidar 'Bota' Nikolic Bozidar 'Bota' Nikolic
◎剪 辑 Vuksan Lukovac Vuksan Lukovac
◎美 术 Nemanja Petrovic Nemanja Petrovic
◎化 妆 Marija Kordic Marija Kordic
◎副 导 演 Slobodan Golubovic-Leman Slobodan Golubovic-Leman
◎简 介
Nonconformist young man joins the music academy in Belgrade. There he has a lot of existential, as well as emotional problems. Rados (Svetislav Goncic) is a young man who lives in the provinces of Yugoslavia and who has his heart set on becoming a great pianist making music for humanity, and nothing less than that. His companions at the Belgrade Academy of Music are not beset by the same economic deprivation as Rados, and they spend their time in effete pursuits, romantic liaisons, parties, and generally egocentric behavior. Rados' simmering anger starts to heat up when he sees the enormous gap between the pretensions of the students and the nature of brilliantly composed music. When he finally does vent his opinions, he is ostracized as rudely as possible. Just when everything looks fairly glum, his beloved grandfather shows up with a piano for him, and Rados is inspired to compose once again. In the meantime, he is sidetracked by his forced sexual engagements with his landlady (in lieu of rent), and is distracted that his schoolmates seem more interested in that side of him than in his qualities as a composer. He begins to lose heart, knowing he will have to decide whether to accept the status quo and live with it, or abandon his aspirations entirely.
